As fall fast approaches, so does the time of year that an abundance of new vintages are released by wineries from around the Northern Hemisphere (Chile, Argentina, Australia, New Zealand release more often in spring as their seasons are opposite). Room must be made in the wineries for the next batches of juice soon to come, so things are quickly moving from barrel to bottle, winery to distributors, distributors to retailers and restaurants, and finally - to you. It is an exciting time for those of us who look forward to tasting something new and the next releases of the wines we’ve come to look forward to every year. For better or worse, they are always at least a bit different – one of wine’s true beauties. Two weeks ago, I tasted through a table of great wines. And for two weeks now, something has really been bothering me. You’ll either be intrigued or think I’m crazy for I’m about to tell you next. A wine label has made me truly angry!
I should start by telling you that, these days, everyone in the wine business is practically kicking the door down to try and get their wines in a store or on a restaurant wine list. Because of this, I usually taste quickly. I simply don’t have time to follow “the method” as the Court of Master Sommeliers calls it, whereby one spends several minutes on a wine evaluating its many characteristics with eyes, nose, and mouth. Sorry, but these days it’s a quick look, swirl, sniff, taste, spit and on to the next. I trust that a good wine will have the power to slow me down and lure me in for a closer examination if it is truly worthy. The guests who order wine from my wine lists don’t see the labels, so I generally don’t pay too much attention to them. A label has definitely never played a role in my selections of wine. I’ll admit there are some bottles out there that are very worthy of notice. Sometimes the label is a perfect segway to a story about the producer and creates a personal connection to the wine. The artworks of The Prisoner or Papillon from Orin Swift, HALO from Trefethen are great examples. Sometimes labels speak of family history, or the personal philosophies and tastes of the vintner.
There is one winery in particular whose label has always compelled me to tell what I’ve long considered a wonderful story. The winery is Vision Cellars. The label has always featured a strong and pronounced African tribal mask. It kind of stares at you. One simply can’t look at it without wanting to know more about it. All the times I’ve served a bottle of Vision Pinot Noir, I’ve told the story of Mac McDonald, who is one of the few African-American winemakers in California. Mac grew up in Texas where his father was a moonshiner. A life changing experience with a 1952 Burgundy gave Mac a Vision, which led to him founding his label with his wife Lil in 1995 after spending 35 years working for Pacific Gas & Electric Co. He currently produces multiple Pinot Noirs including appellation wines from Anderson Valley and Sonoma County, and vineyard-designate wines from Cole Ranch Vineyard in Mendocino County, Chileno Valley Marin County, Rosella's Vineyard, Gary's Vineyard and Las Alturas Vineyard in the Santa Lucia Highlands. His Pinot style is an attractively rich core with an elegant frame. The wines have received very favorable wine press. Production is what would generally be called “boutique” as most of it is sold through the winery mailing list with very little actually going into the market for restaurants and wine shops. Simply put, Mac makes some the best Pinots in California. So when I saw the new label for the 2007 Sonoma County Pinot Noir; a bland, all white background, with the old mask shrunk down to the size of a fingernail and tucked away in the corner, naturally I was shocked. Why? Sure, the old label was a little loud, but it spoke of Mac’s heritage and the significance of his success, ultimately lending a personal connection to the wonderful juice inside the bottle. So why on earth make this change?
An anonymous source in the distribution chain told me there were enough buyers out there who felt Mac’s old label was “too ethnic” and that they felt it would be difficult to sell with such a label. Sadly, the label was muted to appease these people so that they would buy the wine. This is the first time I can truly say the label mattered to me. This bothers me. There’s a passion that goes into handcrafted wines like the ones made by Mac. That passion is being trampled on. I’m compelled to say few last remarks and ask you, the readers for comments, because I’m really curious what the average wine consumer thinks about this.
1. If there are wine buyers out there that actually passed on Vision Cellars Pinot Noir because the label was too “ethnic” – you deserve a long pull from the spit bucket! Really? Did you even taste the wine? It is fantastic. Not to mention well received by the who’s who of wine media. Isn’t a little “Wine Spectator 90 pts“ shelf talker card enough to sell your wine for you?
2. If you’re a Pinot Noir fan and have had the pleasure of drinking Vision Pinot, send Mac an email and let him know his label doesn’t need to conform to sell out. If you haven’t tried it, do yourself a favor and get your hands on a bottle, then write Mac. Maybe enough people will write Mac and he will proudly display his old label again in the next release.
3. What does a label mean to you? Does anyone out there really make a purchase decision based on the wine label’s artwork?
4. What year is it, anyway? How is that we can seemingly have come so far one moment and yet still seem so far in the dark ages the next?
Wednesday, August 26, 2009
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